This review was fuelled by intrigue. I was sent a tweet with nothing more than a link to this music video. I checked it out, the lovely human being that I am, and loved what I heard, so immediately gave it a re-tweet. Unfortunately, not being sent it as a proper request it slipped my mind, but here we are now. I couldn’t not share the love on this one.
Listening to this track, I completely forgot I was listening to a British band. Take that as you will.
First thing to get out of the way, if you didn’t know anything about this band when first listening to them, you would be easily mistake Dead Houses as a new band that Guy McKnight from Eighties Matchbox B-Line Disaster has started. If that does happen to be something you want, then this band is an immediate winner.
What is it with bands and horses these days?
I have mentioned a few times about being drawn into a review by a title or back story; this one pretty much tops everything to date…
I have always liked split releases. Although it sometimes feels a bit weird buying half a record for a band you love and getting another half for one you have never cared for, you get instances where you can be weaned onto a new band via the select track(s). This PABST/AUTISTI split could easily be that for fans of either band.
I have been sent a lot of music that blends two strong styles from different genres of music, which is always something that ends up being a dangerous game with who it appeals to and what it actually pulls off well. Soul Fire Saints have stepped up the game and stand out for all the right reasons.
Vultures are one of those bands whose name I have seen in passing but never actually heard anything that they have produced. I had no idea what to expect from this one, which tends to be all the more exciting to dig into.
Well here are two firsts; The Cauteriser has reached yet another new country – Greece, and this is the latest/earliest that I have attempted to write up a review (currently 04:32 am). Let’s fucking do this!